Jouko Lehtola

 




Yamaha X1C5




Mercedes-Benz E/210




Opel Tigra 1,6 Coupe




Vokswagen Passat 1,9




BMW 330D Sedan




BMW 318




A Man Who Hasn’t




A Man Who has Not




A Woman Who Has Not




A Dog on Red Background




A Dog with a Muzzle




A Dog with a Muzzle




Heroin addict’s sweatpants no.1




Heroin addict’s sweatpants no.2




15.9 2000




2.7 1999




19.5 1999




18.1 1999


C V




Jouko Lehtola´s photographs document the people and places associated with sub-cultures existing within mainsteadm Finnish society, such as youth, tattoo freaks, sire of drug overdose deaths or wrecked cars. These may appear to be fringe elements but are actually over-looked aspects of life in Finland’s largely homogenous culture.

Lehtola became known internationally for his portraits of young people and youth culture in Finland. His subjects are young, middle-class kids engaged in adolescent social interaction while under influence of drugs and alcohol. The portraits are mostly close-ups. The viewer is face to face with the subjects, looking into their glazed, self-defiant eyes or at the occasional shy smile as they pose self-consciously. While the images can be disturbing and at times even repulsive, they highlight how vulnerable, how unsure of themselves and how fragile these children really are. Like the American photographer Larry Clark, Lehtola’s presence is accepted by the different adolescent groups. He is somehow involved in their games and activities, participating in their lives while documenting them.

Lehtola´s other subjects, his landscapes, his urban views and his crashed cars, seem inextricably bound to the images of the adolescents. The cityscapes and urban places and the holding cells at the local police station correspond to the lost and provocative attitudes of the young heroes. The photographs of pin-ups and graffiti-covered walls show aspects of their immediate environment, while the pictures of crashed cars reveal the same mixture of violence and vulnerability as the portraits of the young people. Even the beautiful, kitschy landscapes seem to be connected to the adolescents as places to hang out and get stoned. But they are also part of their dreams of beauty, of innocence, of paradise, a paradise just for them.