Pekka Kauhanen

"THE SUIT OF THE NOCTURNAL WANDERER AND OTHER SUITS"


Group picture

The suit of a cheerful man

Suit of wilted flowers

Flame suit

The suit of an important man

Abracadabra suit

Thick suit

Twist pretzel suit

The suit of a dreamer

The suit of a blinded man

The suit of a dumbstruck man

Bypasser’s suit

Bright suit

The suit of a nocturnal wanderer

Ropemaker’s suit

Suit of fervent love

Flat suit

Silvery suit

The suit of a humorist with insight

The suit of a slanted man

Flower suit

The suit of a total stranger

The suit of the blind leader

Suite for a ladies’ man

Hole suit

Burning bush suit

Aesthete’s suit

Comrade suit

The suit of a torch-bearer

The suit of a long evening

The suit of a bearable bouncer

Feather suit

The suit of spring scents

Bear suit I

Bear suit II

Atlas

Toy

Every boy

Disguise

Suits

Suit

C V




24 May – 4 August 2002

The male suit – jacket and trousers – is a kind of symbol of Western and Christian male adulthood. A boy will usually get his first suit for confirmation, around the age of 15 in our Lutheran culture, and he will wear it at least on all occasions where it is de rigeur to manifest adulthood and to follow the norm. The suit is a factor that both joins and separates. On the one hand it is a kind of uniform permitting only minor variation from the basic type, but on the other hand – at least in the case of a precisely laid-down norm – small variations can be used to express a variety of opinions and values.

This symbol is the theme of Pekka Kauhanen’s most recent sculptures. He has made a small army of child-size male suits from aluminium and bronze patinated in different ways. Like their models, these pieces express with reduced means various moods, attitudes, and the possible persons that could wear the suits. Pekka Kauhanen is an absolute master of his generation in terms of the classic virtues of sculpture. He is truly able – with his hands – to create forms at once realistic and abstract, permitting the sculpture’s own essence to rise above its model and to capture within itself some age-old, shared and permanent nobility, a sculptural quality that cannot be achieved by mechanical means.